Modern Antique Chairs

By Frank Parker

It is becoming more common to re-upholster antique furniture using bright modern fabrics. At first this may seem sacrilege to connoisseurs of fine furniture but if quality antique furniture is being saved no one can complain.    

A client approached us saying she had found a pair of identical ‘Grandfather’ antique chairs beside the railway line in York W.A. At first we just assumed these were nothing but discarded antique reproduction chairs however upon inspection our client was correct, they were indeed genuine antique chairs from the mid to late 19th century.

We completely removed the existing upholstery and carried out some structural repairs then touched up the polish work. We then used traditional methods to re-upholster these chairs only compromising by using premium foam seat and inside arm/back overlays. A modern teal velvet with black velvet piping was used to cover the chairs and trimmed with black gimp.

Well what could we say, the clients were elated and the chairs looked stunning! The chairs were saved and our clients can enjoy their rejuvenated furniture for many years.

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    This custom-made dining lounge was designed and manufactured by a cabinet making firm then upholstered by a local upholstery business. The frame was well designed and constructed however there were continual substantial issues with the upholstery. Unfortunately this is something that occurs to often in our industry. 

    A client approached us saying she had a custom-made dining lounge and there were substantial issues with the upholstery and she had given up trying to negotiate any solution with this upholstery business. The entire front edge of the seat had collapsed and buttons which she did not want but were initiated by the upholstery firm had ‘popped’. Our client engaged us to completely re-upholster this dining lounge.

    We completely removed the existing upholstery and discovered the problems causing the clients concerns. The previous upholsterers had used high quality foam on the seat however they had used a water based contact adhesive to which there are still major application problems and is was simply just not effective. Also the reason they had to place buttons into the seat and back panels was that the patterns were not true to the frame sizes causing the cushions to distort.

    We started from scratch making templates true to the frame then fabricated premium cushioning and laminated it with bonded polyester fibre. The cushion covers were then carefully marked with sewing indicators and sewn to shape as such large panels can either be stretched or gathered. The lounge was then upholstered with minimal effort as the fabric covers fitted perfectly.

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    “TV chairs” and “Daynite sofas” became popular from the late 1950’s and remained in production through to the early 1970’s. This coincided with the introduction of television and the modern appliance age. Today we generally refer to TV chairs and Daynite sofas as mid-century furniture which has regained popularity amongst novices and enthusiasts of this era. This furniture setting was made in W.A. by Condor Furniture in Osborne Park owned by the Trethowan family.

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    The History of Thomas Howard Brown

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    Our client has a classic mid-century home and wished to furnish it appropriately. She had acquired a substantial range of pre-loved furniture from this era over several years and we were fortunate in been given the task of restoring these pieces.

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    One of our tasks was to restore a set of six T.H. Brown dining chairs.

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    Little information has been passed down through the industry or indeed written about the history or origin of ‘Merry Widow’ settees or lounge furniture. We can only assume it is historically linked to the Austro-Hungarian opera the ‘Merry Widow’ which had its debut in 1906 and was marathon performing during the period. This would co-inside with the start of the art-deco period which a merry widow could feel indulged on such an opulent sofa. 

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    Charles Rennie Mackintosh was a Scottish architect and designer who played an important role in the turn of the century ‘Arts and Craft’ movement. He became interested in architecture at a young age and enrolled into the Glasgow School of Art at fifteen meeting the McNair children (marring one of the sisters). The foursome collaborated becoming renowned for their refined stylization of furniture. In 1889 Mackintosh became an apprentice at the architectural firm Honeyman Kreppie and was made a partner in 1901. He demonstrated a break from traditional Victorian design being influenced by Japanese and Celtic art. He was famously commissioned by Catherine Cranston to design the Willow Tearooms (Glasgow) interiors and furniture for which he developed the famous Argyle chair.

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    There is however something extremely strange regarding this chair? The construction techniques coincide with the with the ‘Arts and Craft’ period and the design coincides with the Mackintosh style of the period however from our research he never designed a fully upholstered lounge chair, only dining and occasional chairs with a few show-wood framed lounge chairs. Our client loved their rejuvenated chair and the mystery remains!

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