Bedroom Chair (Slipper Chair) Restoration

Bedroom chairs, also known as a bedroom slipper chair, date back to 18^th Century Europe. The armless upholstered chair with short legs was designed for women’s dressing rooms out of necessity. Since Victorian women often wore restrictive layers of clothing, tight corsets with wide petticoats they tended to require assistance when slipping on their shoes. More modern versions of the slipper chairs evolved over time remaining in fashion until the 1950’s. 

Our client approached us saying she had rescued an old chair from her grandmother’s house which had originally belonged to her great grandparents. Upon inspection of the chair it was a bedroom chair or more appropriately a ‘ vintage slipper chair’ and judging from the art-deco design most probably made in the 1930’s.

We understand that there is interest in how to upholster a slipper chair. This is the process that was followed. We removed the existing upholstery covering on the ladies slipper chair. A once superb abstract floral velvet with a flange cord trim. This revealed a Jarrah timber frame in good condition and like most locally made upholstered furniture of the era the main frame was dowelled with the cosmetic frame components nailed. The timber frame was carefully knocked apart, glued with a superior PVA then screwed together.

The upholstery started with fitting jute webbing then lacing coil springs, tying down the springs and fitting hessian overlays. Synthetic edge moulding was used to form the foundation of the upholstered edges then fabricated various layers of premium polyurethane that were laminated over the seat top and inside back to create the necessary upholstered structure including flute detail. Bonded polyester fibre was then used as a final layer to provide the necessary finish when upholstered.

A traditional chenille was selected for the upholstery covering with a contrast fabric from the same range for piping. The upholstery techniques combined traditional and contemporary methods with the foundation period authentic but with a modern touch to the finish. The back flutes were channelled into the foam/polyester with the upholstery laced to the hessian foundation providing greater comfort than the original. Likewise the seat was still firm but well-padded and even compared with the old flock and fibre techniques. The outside back panel was lined and padded with the contrast piping highlighting the art-deco detail.

The result spoke for its self with our client happy that her Nan’s upholstered slipper chair would now look in place at her home while retaining the family history.