Tessa Furniture History
Tessa originally was known as Twen commencing operations in 1968 then the name changed to Tessa in 1970. Tessa was formed by Fred Lowen, his brother Howard Lindsey and design technician Sigi Danielzik. However Fred commenced furniture manufacturing with Earnest Rodeck in the mid 1950’s having formed Fler which was sold in 1967. Tessa expanded operations nationally during the 1970’s with international links becoming an iconic name during the heydays of local furniture manufacturing.
Restored mid-century furniture with a Scandinavian influence is a niche market although the interest not only resides with those who have witnessed this period. Some discerning members of younger generations are purchasing or have inherited this furniture and enjoy involvement in the restoration process.
Our client purchased this piece of Tessa furniture secondhand from Amber-Brown, a well-known and respected Perth mid-century furniture dealer who referred her onto Parker Interiors for professional restoration. This Tessa T9 chair design effectively represented the end of the mid-century era as it was produced in the early 1980’s however it was clearly inspired by similar Danish chairs produced in the 1950’s and 60’s.
We subsequently removed all the upholstery and initially carried out the frame restoration with the joints knocked apart and dowels re-glued. The legs and arms were constructed from laminated timber finished with a Tasmanian Blackwood timber veneer with the stuffing and seat rails being solid Tasmanian Blackwood. The veneer was carefully sanded and touched-up then polished with a 30% gloss lacquer containing a Baltic stain to match the veneer background. Three coats were applied with the frame ribbed down between coats with super fine steel wool.
The base was re-webbed with a heavy quality elastic webbing then quilt padding fitted. The cushion inserts were fabricated from firm premium foam and encased in bonded polyester fibre. The cushion covers were cut and sewn as original using a superior olive velvet with a semi-crushed look. The result was a chair which looked like it had been lifted from an early eighties high end furniture pamphlet.
