Sentimental Furniture For Years

By Frank Parker

Restoring Sentimental Furniture in Perth
Restoring Sentimental Furniture in Perth

Passing Down Furniture or Inheriting Furniture

It is always difficult to place a monetary value on something that is of high sentimental value however when the furniture has been restored the value is evident. Furniture that is of high sentimental value is usually inherited but may also have been from an era of perceived sentimental interest or have been previously possessed by an individual of interest. However regardless of the reason a high proportion of furniture we restore is due to sentimental value.

Reupholstering Library Chairs From the 1920’s

Our client approached us wanting to rejuvenate two library chairs with a matching chaise initially purchased new by his wife’s grandparents in the 1920’s being made in Australia. When we inspected this furniture it was in a completely dilapidated condition due to years of storage in a damp basement.

How We Renewed the Library Chairs

  • We completely striped the upholstery to the frame noting that it had also been re-upholstered shabbily
  • It was not until we had completely stripped the existing upholstery that we became aware that some of the carved timber rails were rotten due to prolonged storage in damp conditions
  • We approached the client with this information as restoration was going to be a major task.

A Collaborative Restoration

Our client still insisted the furniture be restored and this was now going to be a collaborative operation. Our friend from Eachells Fine Furniture was engaged to replace the rotten carved timber rails. He ascertained the species of Eastern States Eucalypt used in construction so replacements would look identical. The resurrected timber frames were then polished looking like original.

Our client still insisted the furniture be restored and this was now going to be a collaborative operation. Our friend from Eachells Fine Furniture was engaged to replace the rotten carved timber rails. He ascertained the species of Eastern States Eucalypt used in construction so replacements would look identical. The resurrected timber frames were then polished looking like original.

We then set about the task of re-upholstering this furniture using original methods and materials. They were webbed with heavy weight jute webbing then coiled springs were laced in, tied down then hessian overlays. We then however use laminated layers of premium padding encased in polyester. The result is fundamentally original methods but finishing with some new materials to enhance the comfort.

This furniture was upholstered to original finish and trimmed with a matching gimp. Our clients were ecstatic with tears of sentiment!

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    Cornwell Furniture was formed in the 1960’s, a division of Parker Knoll Furniture in the United Kingdom. Cornwell was a signature range of Parker-Knoll specialising in high quality mass production motion chairs.

    The chair pictured is branded “Cornwell-Norton Ltd” which signifies it was manufactured in the Cornwell factory located at Chipping Norton in West Oxfordshire which commenced operations in the mid 60’s and closed in 2003.

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    We completely removed all the upholstery from the frame which was well constructed from Beech and plywood. The mechanical action was a simple push mechanism however it remained in good working condition which is a tribute to the designers of the day. The frame required no attention and was re-webbed using heavy grade elastic webbing then padded utilising high density polyurethane foam. The cushion inserts were fabricated from premium foam and encased with bonded polyester fibre and the outside arms and outside back were lined then padded.

    The fabric selected by our clients was an English striped chenille which was period for the furniture and also suited the particular design. The chair was then upholstered to its original condition trimmed with piping and the cushions completed with buttoning.

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    Contemporary sprung cushions have been marketed over the last decade as a superior concept however there are major issues regarding the effectiveness of using ‘spring pockets’ in the fabrication of seat cushion inserts.

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    Traditional sprung cushions were constructed using mid-gauge coil springs and hand sewn into a hessian case then encased with flock and fitted into a box piped seat cushion with sewing usually finished by hand stitching. Seat cushions constructed this way tend to stand the test of time as is evident by cushions still used in antique furniture.

    However the fabrication of modern sprung cushion inserts utilise light-gauge coil springs encased in a series of thin polyester pockets which are normally referred to as ‘spring pockets’. These spring pockets are placed in the centre of the cushion inserts and sandwiched with polyurethane foam then usually encased with polyester fibre. With moderate to heavy use the spring pockets tend to distort with the springs often fracturing the casings. The result is a distorted and uncomfortable seat cushion and maybe a costly repair bill outside the warranty period.

    What about the option of premium quality foam cushions?

    The sales personnel promoting the “advantages” of sprung cushions usually infer by definition that the base is also sprung but most sprung cushions are on bases fitted with elastic webbing. The truth is that there is nothing wrong with a settee base correctly fitted with high quality elastic webbing. However a superior cushion insert can be effectively achieved by simply using premium quality polyurethane foam encased in polyester fibre and no spring pockets!

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    It is becoming more common to re-upholster antique furniture using bright modern fabrics. At first this may seem sacrilege to connoisseurs of fine furniture but if quality antique furniture is being saved no one can complain.    

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    This classic mid century three seater couch was manufactured in 1948 by Hicks Furniture in Kalgoorlie Western Australia. Some classic furniture was made in major WA regional centres from the late-19th century through to the mid-20th century. This was due to the problems associated with long distance transport of bulky fragile items and the fact that many skilled trades people from all walks of life migrated to these areas during the preceding gold rushes. However the other important factor is that the demand existed during this time frame for quality upholstered furniture.

    This midcentury couch was purchased by its current owner who is now 93 years of age when he was married at the age of 24, as a present for his wife. It is interesting to note that it was re-upholstered in the 1970’s. The original sprung edge was replaced with timber rails. The initial upholstery fabric was a tapestry and it was re-upholstered in an olive velvet. Unfortunately the furniture repair of this piece wasn’t detailed. It was limited to only replacing a sprung edge with timber and placing the new fabric over the old sandwiched with a layer of foam.

    We stripped the existing upholstery back to the frame then carefully knocked the joints apart, glued then clamped and screwed the frame where necessary. Our client wanted to retain the history of this mid century sofa so we simply cleaned up the show-wood timber. We also touched up the chips with an oak stain and then used a quality furniture polish to bring back the shine. The frame was then webbed and re-sprung mainly using traditional upholstery methods with an art-deco upholstery fabric. The result is that a classic Australian made couch has been given a new lease of life for future generations to enjoy.

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    Genuine fine antique chairs become scarcer as time ticks on due to fatigue with function and unnecessary destruction. Poor and inappropriate furniture repairs due to operators not possessing the necessary skills also increase the scarcity. It is important to always use a reputable and skilled restorer.

    Our client approached us with a dining chair from the 1880’s which was bequeathed to her by her maternal grandmother as one was for each granddaughter. After receiving the chair she had it repaired and re-upholstered however within a short time with only gentle use the lower back carved section again broke away. The chair remained in her lounge room as a decorative piece for several decades but constantly annoyed her until we were presented with the repair and re-upholstery task.

    The lumbar carved section had broken away for two reasons; only an average quality PVA glue had been used for the repair and where the timber had fractured there was burl grain so it was originally flawed. We chipped away the remaining burl timber then stage by stage rebuilt the carved section in question using two-pack epoxy resin. Each section was masked-up and filled with resin then sanded into shape. After this was completed the re-built section was stained to match the remaining timber work.

    The existing upholstery was then completely removed with new jute webbing being fitted, coil springs then laced in and tied down and a hessian overlay fitted. A synthetic thumb roll was then fitted to the seat edges and filled in with high density premium padding then a bonded polyester overlay. The chair was then upholstered in a black cut pile cotton velvet and finished with twin piping. This method reduces the cost for our client but also creates a usable and durable seat however not authentic of the period.

    Our client was elated with the finished result especially because the chair would once again become a functional piece of furniture.

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    “TV chairs” and “Daynite sofas” became popular from the late 1950’s and remained in production through to the early 1970’s. This coincided with the introduction of television and the modern appliance age. Today we generally refer to TV chairs and Daynite sofas as mid-century furniture which has regained popularity amongst novices and enthusiasts of this era. This furniture setting was made in W.A. by Condor Furniture in Osborne Park owned by the Trethowan family.

    This set of TV chairs and Daynite sofa were presented to us by our client who wanted them completely refurbished to original condition. The existing upholstery was striped to the frames then the frames sanded back to raw timber. The timber frames were constructed from Nyatoh, a Malaysian timber which is ideal for this type of furniture. The frames were then stained brown teak and three coats of clear lacquer applied.

    The new upholstery started with replacing the no-sag springs then fabricating polyester encased premium cushion inserts. The upholstery fabric selected was similar to the original covering being a flat woven rust coloured fabric.

    The result was a refurbished classic mid-century lounge setting that took our clients back to the time of their initial purchase. We have no doubt that just as nostalgic memories will be relived good times are still to come for our clients to enjoy their furniture.

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